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第一篇 回顾与展望
回顾过去,东亚地区发生了深刻变化,取得了巨大进步。展望未来,我们可以满怀信心地说,推功东亚经济和社会发展达到新的水平,已经具备了比较良好的条件。
In retrospect, profound changes and tremendous progress have taken place in East Asia. Looking ahead, we can say with full confidence that relatively sound conditions exist for East Asia to raise its economic and social development to a new level.
维护地区的和平与稳定,发展经济科技,扩大互利合作,促进共同繁荣,成为东亚各国的共识。东亚国家致力于在相互尊重、平等相待、互不干涉内政的基础上发展相互关系,通过友好协商妥善处理存在的某些分歧。东亚政局稳定,国家关系良好。这为东亚各国保持经济持续增长,发展经济合作,创造了重要的前提条件。
It has become the shared understanding of East Asian countries to maintain regional peace and stability, develop the economy, science and technology, expand mutually beneficial cooperation, and promote common prosperity. East Asian countries are committed to the development of their relations on the basis of mutual respect, treating one another as equals and non-interference in one another’s internal affairs and properly addressing some existing differences through friendly consultations. With political stability, East Asian countries enjoy good relations among themselves. This has provided an important prerequisite for the sustained economic growth of East Asian countries and the development of their economic cooperation.
东亚国家具有相当的经济实力,有的进入了发达阶段,有的踏上了新兴工业化的航程,有的正在步入快速发展的行列。这一地区拥有丰富的劳动力资源和自然资源,各国都在按照自己的实际情况确定发展战略,不断调整产业结构,转变增展方式,促进科技进步,加强对外经济联系。这为东亚各国开展经济合作提供了广阔的空间。
East Asian countries have built up significant economic strength. Some have entered the developed stage, others have joined the rank of newly industrialized nations, and still others have embarked on the road of rapid growth. Endowed with rich human and natural resources, countries in this region have formulated their development strategies in light of their actual conditions, constantly readjusted their industrial structure, effected shifts in modes of growth, promoted scientific and technological progress, and strengthened external economic exchanges. All this has provided a broad scope for East Asian countries to engage in economic cooperation.
东亚各国人民在漫长的历史实践中创造了自己的优秀文化。这种文化传统,以社会集体为重,崇尚自尊自强、艰苦奋斗、勤劳节俭、谦虚好学的美德,处理人际关系提倡和洽协调,对待国际关系主张和平共处。这是宝贵的精神财富。只要东亚各国结合本国的实际,顺应时代的潮流,弘扬和运用这些具有东方特色的文化传统和智慧,同时经济吸取世界各国人民创造的一切进步文明成果,就可以为不断发展东亚经济合作提供精神动力。
Through their long histories, the peoples of East Asian countries have created their own fine cultural traditions. These cultural traditions attach great value to social communities uphold such virtues as self-strengthening arduous effort, industriousness, frugality modesty and eagerness to learn. They stress harmony in handling human relations and stand for peaceful coexistence in international relations. These cultural conditions constitute valuable spiritual legacy. As long as East Asian countries keep up with the trend of the times and carry forward and apply those cultural traditions and wisdom with oriental features in light of their actual national conditions while vigorously absorbing all fruits of human progress and civilization, the development of economic cooperation in East Asia will be further boosted by these spiritual motivations.
总之,从政治、经济、文化、地缘等各方面看,东亚都是当今世界一支不可忽视的力量。东亚经济发展的前景是光明的。
All in all, East Asia in today’s world is a force that cannot be ignored politically, economically, culturally or geographically. The prospect for East Asia’s economic development is promising.
当然,在充分看到东亚经济发展取得成就的同时,也要正视前进中存在的困难和障碍。例如,东亚国家不同程度地存在不合理的经济结构,不健全的金融体制,粗放型的增长方式,滞后的基础设施建设,以及沉重的人口和环保压力等问题,都需要认真对待,切实加以解决。
Of course, while fully recognizing the economic achievements in East Asia, we must also look squarely into the difficulties and obstacles on the road ahead. For instance East Asian countries suffer, to varying degrees, from untenable economic structures, flawed financial systems, crude modes of growth, backward infrastructures and the enormous pressures brought about by over-population and the increasing need for environmental controls. These problems need to be addressed seriously and resolved effectively.
近年来发生在东南亚的金融危机,给人们以深刻启示。金融体系的正常运行,对经济全局的稳定和发展至关重要。在各国经济联系日益密切的条件下,保持健康稳定的金融形势,需要各国在完善金融的体制、政策和监管上进行努力,需要加强国际和地区的金融合作,需要共同防范国际游资过度投机。这样才能有效地维护国际金融秩序。
Southeast Asia’s recent financial crisis has taught people a profound lesson. Normal functioning of the financial system is crucial to overall economic stability and development. To maintain a sound and stable financial order in a closely intertwined global economy, it is imperative for countries to work to improve there financial system, policies and supervision, to strengthen both regional and international financial cooperation and jointly ward off excessive speculation by international hot money. Only by doing so can we effectively maintain the international financial order.
我们相信,经过共同努力,东亚各国人民一定能够在新的世纪中,创造更加美好的未来。
We believe that as long as we work together, the peoples of East Asia will certainly build a better future in the new century.
第二篇 花脸绘画艺术
画家千嶂手中的那支笔表现得轻松自如,山水、花鸟、任务,无所不能,尤其精于“花脸”的表现。
The painting brush of the Chinese artist Qianzhang paints easily: mountains, waters, flowers, birds, human figures – there is simply nothing that the brush fails to paint. Above all, it feels most at home when painting hualian.
“花脸”,又称为“净”,是戏曲表演中的一个行当。京剧中的净分为正净、副净和武净。人物的忠、奸、善、恶、侠义都可从那张脸上表现出来,它的本身就是一种符号化的立体艺术。把这种立体艺术移栽在纸上,使之变为平面艺术的,在画界也不乏其人。一种是依样画葫芦,在纸上画着真真切切的脸谱,另一种是戏曲人物画,把特定的脸谱和特定的人物结合起来,颇有舞台速写的韵味。
Hualian, also known as jing, is a major role in China’s theatrical performing tradition. In Peking Opera jing includes the categories of leading, assisting and military jing. A particular way of painting jing’s face represents a particular identity of the concerned role in a play: it may be a loyal, wicked or good man, or a villain, or a chivalrous hero. The masked face itself is a symbolized work of stereoscopic art. The effort of transplanting stereoscopic art on paper to produce works of plane art is not an isolated phenomenon in the art community. Such work, more often than not, follows one of the two approaches, one of which is to create on paper an exact copy of a masked face, and the other to paint a theatrical figure portrait, casting a particular figure in a mask, quite similar to the work of stage sketches.
而千嶂笔下的花脸不是这样,他离开了特定的人物、特定的脸谱、特定的剧情,以超越的视野,横扫大笔,洋洋洒洒,把花脸画的更加抽象化,夸大了花脸的象征意义,进入一个试图表现人类心灵的全新境界。在进行这种艺术探索时,画家有着独到的悟性和心得。他跳开了传统戏剧花脸的那种凝固的程式,为古老的花脸艺术架起了通向现代人心理的桥梁,泼写着人世间的喜怒哀乐。这个从平面到立体的过程,形成了时空艺术的瞬间闪现,天真烂漫而不悖理性精神的美学,使画家的思想自由驰翔,令其笔下生辉。
Qianzhang’s hualian, nevertheless, represents a different approach to painting. Feeling himself from the rigid commitment of being truthful to stereotypical theatrical figures, masks and plots, he paints quite freely and skillfully. His more liberal vision gives birth to the kind of hualian which is characteristically more abstract and more lavishly exaggerated in terms of its symbolic meaning. In this brand-new realm the artist attempts to best reveal the mind and soul of mankind. In his search for a particular mask-painting art, the artist works with a unique understanding for his object of creation. Ignoring the frozen traditional formula, the artist remains dedicated to constructing a bridge that connects the ancient art of hualian mask painting with the psychology of the modern man, brushing out human joys and sorrows. The transition of the theatrical mask art from a plane form to the present stereoscopic model represents the instantaneous flashes of the so-called time-space art.
醉汉是写不出诗的。太清醒了,也写不出诗的。画画也是这样,总是在似醉非醉的状态忠进入佳境。我总说千嶂的花脸有醉的韵味,那是一种朦胧美与流动美的结合。说它是朦胧的,那是墨彩交融而非混沌不清。书法用笔的参入,给画带来了流动的节奏。这是一种刚与柔、动与静、清晰与朦胧相统一的艺术效果。
An intoxicated mind writes no poems. Nor does a completely sober mind. It is also true of painting. The best state of creation is one when the artist is partially drunk and partially sober. When I say Qianzhang’s hualian smells of drunkenness, I mean that to be an embodiment of obscure beauty with flowing beauty, obscure as the result of mixing ink and color, obscure but not murk. His calligraphic paintbrushing brings flowing rhythm to the work of mask painting, thus achieving an artistic effect of a harmonious combination of firmness with gentleness, of mobility with tranquility, and of precision with obscurity.
第三篇 文化交流
现代化的交通、电信与大众传媒手段使世界越来越小,国际社会如同一个地球村,居住在地球村里的各国人民在文化交流和冲撞中和睦相处、彼此尊重、共求发展。
Modern means of transportation, telecommunication and mass media have shortened the geographical distance of the world. The international community appears to be no more than a global village, in which peoples of all nations experience the inevitable cultural exchanges and clashes, while seeking common development in a harmonious and respectful relationship.
我赞同这种的看法:当代社会的民族文化不可能在自我封闭的状态下得到发展。在我看来,不同的文化应该相互学习,取长补短。当然,在广泛的文化交流中,一个民族的文化必须保持本民族的鲜明特色。我认为,文化交流不是让外来文化吞没自己的文化,而是为了丰富各民族的文化。
I’m with the view that in this modern world, the culture of any nation cannot develop in isolation. And I believe that different cultures should learn from each other’s strengths to offset their own weaknesses. Of course, the culture of a nation must withhold its own distinctive national characteristics in its extensive exchange with other cultures. Cultural exchange, I think, is by no means a process of losing one’s own culture to a foreign culture, but a process of enriching each other’s national curltures.
第四篇 外交基石
中国将坚定不移地综合执行和平独立的外交政策。中国的外交政策是为了争取长期健康的国际环境,尤其是争取有利于中国社会主义现代化建设的环境,有利于维护世界和平、促进共同发展的环境。
China will unswervingly carry out its independent foreign policy of peace in a comprehensive manner. China’s foreign policy serves to gain a long-term, sound international environment. Particularly, the policy aims to achieve an environment conducive to China’s socialist modernization drive, the maintenance of world peace and the promotion of joint development.
中国将继续加强同发展中国家,特别是周边国家的积极关系,坚持睦邻友好的政策。我们要贯彻中国—东盟非正式首脑会议的成果,加强面向21世纪的相互信任的中国—东盟伙伴关系。我们要进一步在广泛领域里同西方发达国家进行合作与交流。我们要加强同非洲、拉丁美洲、南亚、中欧和东欧的团结与合作,努力建立公正与合理的国际政治秩序和国际经济秩序。
China will continue to foster positive relationships with the developing countries and especially surrounding countries, persisting in a good-neighborly and friendly policy. We will implement the outcome of the China-ASEAN informal summit and intensify the China-ASEAN partnership of mutual trust oriented toward the 21st century. We will further develop extensive cooperation and exchange with the developed countries of the west in a wide range of areas. We will also strengthen unity and cooperation with countries in Africa, Latin America, South Asia, and Central and Eastern Europe, striving to establish a just and rational international political and economic order.
中国还将继续参与全球性、洲际性和地区性的多边外交活动,在联合国改革、地区冲突、维护和平、裁军、军备控制和环境保护方面发挥建设性的作用。
China will continue to take part in multilateral diplomatic activities of a global, intercontinental and regional nature, and play a constructive role in the affairs of UN reform, the settlement of regional conflicts, peace-keeping, disarmament, arms control and environmental protection.
第五篇 南方园林
中国园林可分为御花园和私家花园两类。前者都见于北方,后者则多见于南方,尤以苏州、无锡和南京三地为甚。
Chinese gardens can be divided into two categories, the imperial and the private. The former are seen most frequently in northern China, while more of the latter can be found in the south, especially in Suzhou, Wuxi and Nanjing.
南方私家花园中的溪、桥、山、亭、小巧玲珑,布局精明,尽显其自然美,令人赏心悦目。桥大多为石桥,有直桥、曲桥、拱桥。直桥其实是一块不加装饰的石板,通常与河岸或河水齐高,给人一种临水的感觉。曲桥设有低栏杆,西湖上的九曲桥就属此桥。拱桥可以分为单拱桥和多拱桥两种。园内的小溪虽占地不多,却同小桥与石屿相得益彰,浑然一体。
Small and delicate, cleverly laid out and pleasing to eye, the streams, bridges, rockeries and pavilion of a private Chinese garden reveal a natural beauty of their own. Most of the bridges in these gardens are of stone, including straight, winding and arched bridges. The straight bridge consists of just one stone slab without any decoration, and is usually level with the riverbank or with the river to make the visitors feel as if they are surrounded by water. The winding bridge has low balustrades. The arch bridges can be divided into the single-arch and the multi-arch varieties. Streams in these gardens do not cover a large area, but fit in well with bridges and islets to yield a uniformed effect.
石头与假山是中国南方园林的特色。奇形怪状的石头常带有引人注目的波纹线条和水孔。硕大的石头可自成一景,而较小的石块则堆积成假山,为园林增添无比魅力。走廊是中国园林的另一大特色,有河边的河廊,花丛中的花廊,柳树丛中的柳廊,竹林中的竹廊。对客人来说,这些走廊可谓是优秀导游,在一座大花园里沿廊而行,可以观赏园内的各处景观。
Rocks and rockeries are special features of southern Chinese gardens. Stones of grotesque forms are often attractive with undulated lines and water holes. Some large stones form sceneries of their own, while smaller ones are put together to form artificial hills to add to the fantastic attractiveness of the garden. Corridors form another feature of Chinese gardens. There are water corridors built along a riverside, flower corridors inserted among flowers, willow corridors among rows of willow, and bamboo corridors among rows of bamboo. For visitors, these corridors are good travel guides leading to various views of a big garden.
形态各异的窗户点缀在走廊上,有方形,有圆形,有六角形,也有八角形。许多窗户的图案也都装饰得非常美丽,游客可以透过这些艳丽多彩的走廊窗户,将园内的佳境尽收眼底。园林的大门同窗户一样也雕刻成各种形状,给环境带来了生气,增添了雅趣。
Corridors are dotted by windows of various shapes—square, round, hexagonal and octagonal. Many of the windows are decorated with very beautiful patterns and designs. Tourists can have an excellent view of the garden through these colorful corridor windows. The doors to the gardens, like the windows, are also carved in many different shapes, to bring more vividness and elegance to the surroundings.
花园的墙壁通常粉刷成白色。隐匿在鲜花、树木、小山丛中的白墙,与灰瓦褐窗形成强烈的反差。白墙上树影婆娑,池塘中柳枝起舞,在园中徜徉的游客,也许能在这室外桃园里真正地享受片刻安宁。
Walls of these gardens are usually painted white. Hidden among the flowers, trees and hills, white walls stand in sharp contrast to the gray tiles and brown windows. Strolling about these gardens, with the tree shadows swaying on the white wall and willow reflections dancing in the ponds, tourists may then find themselves truly enjoying a moment of peace and relaxation in this paradise beyond the turmoil of the world.
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