|
b18b098e-48cf-4c0b-8ce0-51dcdb8eca1838.jpg
《最后的晚餐》是一幅广为人知的大型壁画，文艺复兴时期由列奥纳多·达·芬奇于米兰的天主教恩宠圣母的多明我会院食堂墙壁上绘成，1980年被列为世界遗产。
436dbeb0-60d8-43c2-ba29-44f3264bb2ce38.gif
❤ HINTS:
Napoleon
全文听写，英式拼法
It took a direct edict from Napoleon to save the painting. The refectory was bricked up and the Last Supper entombed. The painting by now really was a ruin. But when early artistic tourists found a way back into the abandoned monastery, they discovered an image that held a surprising appeal.
I think looking at the Last Supper, there is this romance of the patina and the damage. It's a bit like listening to a kind of ancient blues record or a historic conductor and hearing all the crackle and if we'd seen it in the original, I suspect that the sheer colouristic vitality, the crispness, the sharpness of it would have been very surprising, that we somehow quite like this. This aged, battered appearance. it has a certain kind of romance to it.
It came close to being the romance of death. The Last Supper was now so fragile that even touching the wall beneath it caused its paint to fall away. | 
发表于 2016-8-2 13:30:34