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《最后的晚餐》是一幅广为人知的大型壁画，文艺复兴时期由列奥纳多·达·芬奇于米兰的天主教恩宠圣母的多明我会院食堂墙壁上绘成，1980年被列为世界遗产。
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❤ HINTS:
Leonardo
全文听写，英式拼法
In monastic refectories, traditionally, people eat in silence and thus they don't sit across from one another because there's not going to be any conversation. Earlier painters had showed you that, as if the table of Christ were the head table at the refectory but then they'd disturbed that traditional arrangement by putting one figure on the nearside of the table where normally in a monastic dining room no one would be sitting, and that one figure was Judas. Leonardo himself starts thinking about that arrangement.
The artists mind was a blank sheet of paper broke free from the past and begins to re-imagine The Last Supper. Some drama schools still use the painting's figures to help teach movement, because its great daring was to mix the sacred with the recognisably human. | 
发表于 2016-8-2 13:28:48