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英文阅读:Got to make allowances

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发表于 2016-7-9 23:43:46 | 显示全部楼层 |阅读模式
  Reader question:
          In this sentence – You've got to make allowances for their British accents
– what does "make allowances" mean?
          My comments:
          It means you've got to tolerate their British accents – sounds like some
American talking.
          When one makes allowances for someone or something, one takes into
consideration things that they normally ignore. For instance, one audio version
of the Harry Potter books is read by Stephen Fry, a British comedian, actor and
writer. He's brilliant but if you're, say, American, you have to make allowances
for his British accent – got to get used to a bit of Fry – before you can fully
enjoy it.
          People make all kinds of allowances every day. If, say, you've got an
appointment this evening with a friend at the other part of town, you've got to
make allowances for Beijing's notorious rush hour traffic – that is, if it
normally takes you 45 minutes to get there, you may want to leave a full hour in
advance this time just to be on the safe side.
          Mark Twain even made allowances for kings. "All I say is," Twain wrote in
Huckleberry Finn, "kings is kings, and you got to make allowances. Take them all
around, they're a mighty ornery lot. It's the way they're raised."
          And Rudyard Kipling advised us to make allowances for practically
everything in his poem If:
          If you can keep your head when all about you
          Are losing theirs and blaming it on you,
          If you can trust yourself when all men doubt you
          But make allowance for their doubting too,
          If you can wait and not be tired by waiting,
          Or being lied about, don't deal in lies,
          Or being hated, don't give way to hating,
          And yet don't look too good, nor talk too wise:
          If you can dream – and not make dreams your master,
          If you can think – and not make thoughts your aim;
          If you can meet with Triumph and Disaster
          And treat those two impostors just the same;
          If you can bear to hear the truth you've spoken
          Twisted by knaves to make a trap for fools,
          Or watch the things you gave your life to, broken,
          And stoop and build 'em up with worn-out tools:
          If you can make one heap of all your winnings
          And risk it all on one turn of pitch-and-toss,
          And lose, and start again at your beginnings
          And never breathe a word about your loss;
          If you can force your heart and nerve and sinew
          To serve your turn long after they are gone,
          And so hold on when there is nothing in you
          Except the Will which says to them: "Hold on!"
          If you can talk with crowds and keep your virtue,
          Or walk with kings – nor lose the common touch,
          If neither foes nor loving friends can hurt you;
          If all men count with you, but none too much,
          If you can fill the unforgiving minute
          With sixty seconds worth of distance run,
          Yours is the Earth and everything that's in it,
          And – which is more – you'll be a Man, my son!
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