【旷世杰作的秘密】桑德罗·波提切利《春》18
1477年他以诗人波利蒂安歌颂爱神维纳斯的长诗为主题，为美第奇别墅所画《春》。这幅画已经和《维纳斯的诞生》一起，成为波提切利一生中最著名的两幅画作。在这幅画中，波提切利运用自己的想像力对古代神话故事重新演绎，人物线条流畅，色彩明亮灿烂，却又在充满着欢乐详和的气氛中，带有一丝忧愁。HITNS:
Grace
Renaissance
Primavera
全文听写，英式拼法
http://t1.g.hjfile.cn/listen/201303/201303301055359731283.mp3The bottom of the actual painted surface would have been at least six feet off the ground. It would have been above the heads of the viewers. And that explains some details. lf you look at the central Grace, you can see the bottom of her foot, as if we're looking up at her. ln the Renaissance, you either look up at paintings, or you look down at paintings, very rarely do you look at the painting. So we should look up to the Primavera.
lf we stop thinking about the Primavera as this iconic, special piece, which is almost divorced and detached from its surroundings, it becomes much more exciting there. lf it is up on a wall, relatively high up, it joins a lot of other kinds of images such as tapestries, and that very decorative effect suddenly makes sense there. The sheer artificiality of the paint itself joins with the high gloss, the high sheen of the tapestries, that we know were in the other rooms in the house. It's going to be seen as being really avant-garde and up-to-date.
页:
[1]