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The Poet And The Peasant
O. Henry
The other day a poet friend of mine, who has lived in close communion with
nature all his life, wrote a poem and took it to an editor.
It was a living pastoral, full of the genuine breath of the fields, the
song of birds, and the pleasant chatter of trickling streams.
When the poet called again to see about it, with hopes of a beefsteak
dinner in his heart, it was handed back to him with the comment:
"Too artificial."
Several of us met over spaghetti and Dutchess County chianti, and swallowed
indignation with slippery forkfuls.
And there we dug a pit for the editor. With us was Conant, a well-arrived
writer of fiction - a man who had trod on asphalt all his life, and who had
never looked upon bucolic scenes except with sensations of disgust from the
windows of express trains.
Conant wrote a poem and called it "The Doe and the Brook." It was a fine
specimen of the kind of work you would expect from a poet who had strayed with
Amaryllis only as far as the florist's windows, and whose sole ornithological
discussion had been carried on with a waiter. Conant signed this poem, and we
sent it to the same editor.
But this has very little to do with the story.
Just as the editor was reading the first line of the poem, on the next
morning, a being stumbled off the West Shore ferryboat, and loped slowly up
Forty-second Street.
The invader was a young man with light blue eyes, a hanging lip and hair
the exact color of the little orphan's (afterward discovered to be the earl's
daughter) in one of Mr. Blaney's plays. His trousers were corduroy, his coat
short-sleeved, with buttons in the middle of his back. One bootleg was outside
the corduroys. You looked expectantly, though in vain, at his straw hat for ear
holes, its shape inaugurating the suspicion that it had been ravaged from a
former equine possessor. In his hand was a valise - description of it is an
impossible task; a Boston man would not have carried his lunch and law books to
his office in it. And above one ear, in his hair, was a wisp of hay - the
rustic's letter of credit, his badge of innocence, the last clinging touch of
the Garden of Eden lingering to shame the gold-brick men.
Knowingly, smilingly, the city crowds passed him by. They saw the raw
stranger stand in the gutter and stretch his neck at the tall buildings. At this
they ceased to smile, and even to look at him. It had been done so often. A few
glanced at the antique valise to see what Coney "attraction" or brand of chewing
gum he might be thus dinning into his memory. But for the most part he was
ignored. Even the newsboys looked bored when he scampered like a circus clown
out of the way of cabs and street cars.
At Eighth Avenue stood "Bunco Harry," with his dyed mustache and shiny,
good-natured eyes. Harry was too good an artist not to be pained at the sight of
an actor overdoing his part. He edged up to the countryman, who had stopped to
open his mouth at a jewelry store window, and shook his head.
"Too thick, pal," he said, critically - "too thick by a couple of inches. I
don't know what your lay is; but you've got the properties too thick. That hay,
now - why, they don't even allow that on Proctor's circuit any more."
"I don't understand you, mister," said the green one. "I'm not lookin' for
any circus. I've just run down from Ulster County to look at the town, bein'
that the hayin's over with. Gosh! but it's a whopper. I thought Poughkeepsie was
some punkins; but this here town is five times as big."
"Oh, well," said "Bunco Harry," raising his eyebrows, "I didn't mean to
butt in. You don't have to tell. I thought you ought to tone down a little, so I
tried to put you wise. Wish you success at your graft, whatever it is. Come and
have a drink, anyhow."
352523_180639_1_lit.jpg
"I wouldn't mind having a glass of lager beer," acknowledged the other.
They went to a cafe frequented by men with smooth faces and shifty eyes,
and sat at their drinks.
"I'm glad I come across you, mister," said Haylocks. "How'd you like to
play a game or two of seven-up? I've got the keerds."
He fished them out of Noah's valise - a rare, inimitable deck, greasy with
bacon suppers and grimy with the soil of cornfields.
"Bunco Harry" laughed loud and briefly.
"Not for me, sport," he said, firmly. "I don't go against that make-up of
yours for a cent. But I still say you've overdone it. The Reubs haven't dressed
like that since '79. I doubt if you could work Brooklyn for a key-winding watch
with that layout."
"Oh, you needn't think I ain't got the money," boasted Haylocks. He drew
forth a tightly rolled mass of bills as large as a teacup, and laid it on the
table.
"Got that for my share of grandmother's farm," he announced. "There's $950
in that roll. Thought I'd come to the city and look around for a likely business
to go into."
"Bunco Harry" took up the roll of money and looked at it with almost
respect in his smiling eyes.
"I've seen worse," he said, critically. "But you'll never do it in them
clothes. You want to get light tan shoes and a black suit and a straw hat with a
colored band, and talk a good deal about Pittsburg and freight differentials,
and drink sherry for breakfast in order to work off phony stuff like that."
"What's his line?" asked two or three shifty-eyed men of "Bunco Harry"
after Haylocks had gathered up his impugned money and departed.
"The queer, I guess," said Harry. "Or else he's one of Jerome's men. Or
some guy with a new graft. He's too much hayseed. Maybe that his - I wonder now
- oh, no, it couldn't have been real money."
Haylocks wandered on. Thirst probably assailed him again, for he dived into
a dark groggery on a side street and bought beer. At first sight of him their
eyes brightened; but when his insistent and exaggerated rusticity became
apparent their expressions changed to wary suspicion.
Haylocks swung his valise across the bar.
"Keep that a while for me, mister," he said, chewing at the end of a
virulent claybank cigar. "I'll be back after I knock around a spell. And keep
your eye on it, for there's $950 inside of it, though maybe you wouldn't think
so to look at me."
Somewhere outside a phonograph struck up a band piece, and Haylocks was off
for it, his coat-tail buttons flopping in the middle of his back.
"Divvy, Mike," said the men hanging upon the bar, winking openly at one
another.
"Honest, now," said the bartender, kicking the valise to one side. "You
don't think I'd fall to that, do you? Anybody can see he ain't no jay. One of
McAdoo's come-on squad, I guess. He's a shine if he made himself up. There ain't
no parts of the country now where they dress like that since they run rural free
delivery to Providence, Rhode Island. If he's got nine-fifty in that valise it's
a ninety-eight cent Waterbury that's stopped at ten minutes to ten."
When Haylocks had exhausted the resources of Mr. Edison to amuse he
returned for his valise. And then down Broadway he gallivanted, culling the
sights with his eager blue eyes. But still and evermore Broadway rejected him
with curt glances and sardonic smiles. He was the oldest of the "gags" that the
city must endure. He was so flagrantly impossible, so ultra rustic, so
exaggerated beyond the most freakish products of the barnyard, the hayfield and
the vaudeville stage, that he excited only weariness and suspicion. And the wisp
of hay in his hair was so genuine, so fresh and redolent of the meadows, so
clamorously rural that even a shellgame man would have put up his peas and
folded his table at the sight of it.
Haylocks seated himself upon a flight of stone steps and once more exhumed
his roll of yellow-backs from the valise. The outer one, a twenty, he shucked
off and beckoned to a newsboy.
"Son," said he, "run somewhere and get this |
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发表于 2016-7-10 11:23:13