|
1e080efe-1c00-4468-8028-f03e02f02f4d07.jpg
《圣罗马诺的战役：契阿尔达被杀下马》表现了锡耶纳指挥官契阿尔达被佛罗伦萨的军官杀下马的情形；《圣罗马诺的战役：抵抗米切雷托·达·勾提尼欧拉.》表现的是佛罗伦萨城解围，佛罗伦萨军队在锡耶纳军队在度阿诺河时发起反攻，大败锡耶纳军队。
436dbeb0-60d8-43c2-ba29-44f3264bb2ce07.gif
❤ HITNS:
Uccello
Fillippo Brunelleschi
Florence
San Romano
a-ha
i.e.
全文听写，英式拼法
It was a fortunate time for the young Uccello to be learning his craft. Great changes were a foot in the way artists depicted the world. The devotional masterpieces of the medieval world flat, two dimensional, supernatural icons, were making way for a new art concerned with individual humans, their internal lives, and their perception of the world. A key to this new art was the discovery of the laws of linear perspective by Fillippo Brunelleschi, architect of Florence's famous cathedral dome. Uccello would both refine and defy these laws in his San Romano paintings.
I think the Brunelleschi invention is one of these wonderful a-ha moments, when it looks so obvious. But it's only obvious once you've seen it. What he saw was that it was possible to do perspective, i.e. create space behind a picture plane using a precise system. That is to say, if you think of a picture as a window, and you think of the world being through the window, if you draw on the surface of that window, then things diminish according to a set rule. And he came up with a mathematical rule for doing that, and everybody said, ''A-ha.''年轻的乌切罗习艺的时机很巧，当时艺术家的创作手法即将出现巨大变革。中世纪，宗教意味着浓厚的艺术氛围，平板，缺乏深度，主角多半不属于这个世界。它们即将被新的艺术作品取代。它们关心的是有血有肉的凡人，他们内在的生命力和世界观。这一波艺术运动的关键，是菲利波布鲁涅内斯基发现的线性透视原理，他是伦敦主教堂大圆顶的建筑师。乌切罗在创作“圣罗马诺的战役”时，同时修正及颠覆了这些原理。我认为布鲁涅内斯基的发现，本来就是极其明显的事实，他发现透视法是有可能的，也就是利用一个精准的系统创作图面后的空间。换句话说，可以把一幅画视为一扇窗户，你站在窗前发现窗外的世界，若在窗户的表面作画，越远的东西景物就越小，他归纳出近大远小的数学规则，人们不约而同地恍然大悟。 | 
发表于 2016-8-2 13:22:49