【华丽巴洛克-动感夸张戏剧化】夜巡13
《夜巡》是17世纪荷兰画家伦勃朗的名画。现藏于荷兰阿姆斯特丹美术馆。此画所描绘的其实是白天队长与副队长的景象，因光线昏暗而被误为是描绘夜间，画中人物确有其人，有些人认为此画暗藏某些故事另有深意。❤ HINTS:
Banning Cocq
Ensign
Rembrandt
Van Ruytenburg
全文听写，英式拼法
http://t1.g.hjfile.cn/listen/201310/201310031016273305815.mp3Sometimes these little details that one doesn't immediately realise that they are there. But for instance, the sash of Banning Cocq he has at the bottom of his legs, I mean that moves in space. Also the Ensign who is standing in the back, a tie he has around his neck it moves. It is that type of little detail that he emphasises in order to create the impression of movement.
Even as he persuaded movement into the picture, Rembrandt also created the illusion of captain and lieutenant stepping outward from the frame. Each has his back foot raised and Banning Cocq's hand is thrust forward, casting a strong shadow on the lieutenant's tunic not an accidental shadow, as we'll see. The partisan in Van Ruytenburg's hand seems also to thrust towards us, as if over the footlights of a stage. Rembrandt made few changes to The Night Watch, but this was a detail that he worked on intensively to produce a remarkable three-dimensional effect.有时候是一些无法一目了然的微小细节，比方说班宁柯可脚边的饰带，它正在飘动，再来是站在后面的掌旗兵，他的领巾也在飘动。他借由突显这些小细节来体现动感。林布阑在创造动感的同时，也营造了队长及副官仿佛要走出画框的错觉，两人都抬起后脚，班宁柯可的手前伸。在副官的制服上形成一道强烈阴影，这也是他巧心可以的安排。范罗莱登伯格手上的戟似乎也正对着我们而来，仿佛越过舞台上的脚灯，林布阑在绘制“夜巡”时，修改了不少地方。但这是一个他不厌其烦再三修改的细节，只为了营造出惊人的立体效果。
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