【旷世杰作的秘密】最后的晚餐16
《最后的晚餐》是一幅广为人知的大型壁画，文艺复兴时期由列奥纳多·达·芬奇于米兰的天主教恩宠圣母的多明我会院食堂墙壁上绘成，1980年被列为世界遗产。
❤ HINTS：
Bartholomew
Thomas
Matthew
全文听写，英式拼法
http://t1.g.hjfile.cn/listen/201307/201307021209182539645.mp3The Last Supper's design took perhaps two years to develop. The result was an astonishing break from everything that had gone before. It is almost easier to list what it did not change than what it did. The apostles are on their feet, they are gesturing, their hands almost as animated as their faces. At the centre, Christ, rather than being hemmed in as before, sits alone and vulnerable. Bartholomew, at the left, rises up to his full height, the only figure entirely visible. Thomas, on the other hand, is represented in four tiny parts two hands, a head, and originally a foot. At the right, Matthew faces away from the scene's core, but sweeps the gaze back with his arms, arranged as if playing a musical instrument.
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