【旷世杰作的秘密】圣罗马诺的战役26
《圣罗马诺的战役：契阿尔达被杀下马》表现了锡耶纳指挥官契阿尔达被佛罗伦萨的军官杀下马的情形；《圣罗马诺的战役：抵抗米切雷托·达·勾提尼欧拉.》表现的是佛罗伦萨城解围，佛罗伦萨军队在锡耶纳军队在度阿诺河时发起反攻，大败锡耶纳军队。
❤ HITNS：
Uccello
Giorgio Vasari
mazzocco
San Romano
mazzocchi
全文听写，英式拼法
http://t1.g.hjfile.cn/listen/201305/201305241129494309159.mp3This sliding scale allows him not just to say "I think that figure back there would be half the size of that figure" just by guessing he can do it precisely.
Normally once the ghost pavement had done its job, it was painted over and forgotten. But Uccello couldn't resist reminding himself of the satisfactions of perspective by hinting at the grid with broken lances and patches of grass. He was an artist, who according to his first biographer Giorgio Vasari, was obsessed, haunted, almost driven mad by the new science of perspective. Getting into bed late one evening, he even sighed to his neglected wife, "Ah, what a sweet thing this perspective is". Sweet she may have been but she was demanding of her lover's time. Uccello's drawings, experiments in foreshortening, show what painstaking work went even into small details. A single circular hat, or mazzocco, is made up of hundreds of interlocking geometric shapes. The San Romano paintings contain half-a-dozen examples of these mazzocchi.
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