维也纳钢琴的陨落
提到现代钢琴的发展，贝多芬功不可没。然而贝多芬晚年的耳疾使得他需要用音量更大的钢琴来作曲，这究竟是历史的巧合，还是发展的必然？
Hints:
Viennese
Beethoven
Mozart
Broadwood
Steven Devine
主持：fancyfrances
校对：Ranzzy
翻译&注解：熔雪gemini
答疑：唔哈哈哈哈哈哈
点评：lsy34
口语地址链接：http://bulo.hujiang.com/menu/2120/item/766990/
http://t1.g.hjfile.cn/listen/201305/201305140427479668879.mp3Actually when it comes to preferences between the two types of pianos, the Viennese or the English, Beethoven is an interesting case. Like Mozart, he played and wrote for pianos with the Viennese action. But later in life, it seems that he began working with English instruments.
We also know that Beethoven had an affinity for English pianos. And I suspect again if he's going a little bit deaf in his wanting tone and sound. It's because they had a louder richer resonant sound and were probably more suited to his hearing possibilities and the music he was wanting to create at that time. So we know that he had a good relationship with the Broadwood company. They sent him instrument and he had fairly strong ties with England for one reason or another. And so he knew his English instruments as well. And I think that dictates this style the music he writes towards the mid period of his life if not later on.
Steven Devine. So would it be correct to say that the piano had reached its modern form by Beethoven's time?事实上，如果提到在维也纳和英式钢琴之间的取舍，贝多芬可是个有趣的案例。和莫扎特一样，他（早先）用维也纳的风格演奏和谱写钢琴曲。但是晚年，他则开始使用英式乐器。
我们知道贝多芬喜爱英式钢琴。当然，我仍然对他是否逐渐耳聋听不清音乐持保留态度。因为英式钢琴音色更加洪亮浑厚，更加投合他的听觉习惯，也更适合演奏他那时致力创作的音乐。由此我们可知贝多芬与Broadwood公司交情甚笃。他们向他提供乐器，并且出于种种原因，他和英国关系十分紧密。因此他对英式乐器也有一定的了解。这种风格的转变体现于他中期（如果不是晚期）创作的作品当中。
谢谢史蒂文·迪瓦恩。那么我们是否可以说在贝多芬时期，钢琴迈入了现代风格的时代呢？
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