声音有形 音乐无限
概述：黛拉音乐礼堂的建成。
Hints:
Maurizio Pollini
Parco della Musica
Renzo Piano
Largo Luciano Berio
主持：lsy34
校对：z_i_y_u_n
翻译&注解：cherryxyr
答疑：candy0228
口语点评：vincit
口语点评地址：http://bulo.hujiang.com/menu/2120/item/765427/
http://t1.g.hjfile.cn/listen/201305/201305100837538883564.mp3That story can be in music, too. Piano's friend, the Italian pianist Maurizio Pollini opened the Parco della Musica in Rome in 2002. This is Italy's largest park for music and the grandest collection of music boxes that Renzo Piano has ever built. Before Renzo Piano begins any building project, he says that he listens to the space where the new building is going to be, where his new building is going to be. Well I wonder what he heard, here. Because the journey from his listening to this space is a journey from his listening to our listening. I'm in the centre of the Parco della Musica in a place that's called the Largo Luciano Berio which is an open air amphitheatre that can seat 3,000 people that nestles in between three gigantic auditoria. The buildings are scarab-shaped. They're like huge beetles that squat over this amphitheatre. Each is cased in lead, which is already... Even though the buildings are just over a decade, old, it's already beginning to weather.
But it's that process I want to discover about how Piano brings the immateriality of his idea, his listening to this space through to the material, to the absolute concrete reality of the materials I'm sitting on and amongst, the lead, the marble, the terra-cotta, and after all the material of music, that's the function, and the purpose of these boxes for music.该故事也可以用音乐展现出来。皮亚诺之友，意大利钢琴家毛里奇奥·波利尼于2002年在罗马的黛拉音乐礼堂举行演奏会，这也是礼堂建成后首次投入使用。黛拉音乐礼堂是意大利最大的音乐园，也是伦佐·皮亚诺建造的音乐厅中最宏伟的一个。他说，在他开始一项建筑工程之前，他都会去选址处倾听。我很好奇他在这里听到了什么。因为从他的循声求址到选址敲定，从他听到的声音到我们所听到的音乐，这两段旅程如出一辙。黛拉音乐礼堂的中心坐落在龙雷斯奇，这是一个露天剧场，三个礼堂之间设有观众席，可容纳3000人。扇形礼堂像甲壳虫一样覆盖整个露天剧场，由于表面材料由铅制成，尽管只建成了十几年，礼堂外观已经开始生锈褪色了。
不过，我想了解的是：皮亚诺是如何通过倾听铅、大理石、陶器这些在我身边实实在在的物体来形成自己的抽象想法，并如何在最后形成对音乐厅功能（即构成音乐的材料）的认识的。
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