【旷世杰作的秘密】桑德罗·波提切利《春》1
http://t1.g.hjfile.cn/listen/201212/201212011130488732585.mp3In California, a crowd is gathering to see a living, breathing recreation of one of the world's most beautiful paintings, with a potted history supplied.For centuries, critics have debated the meaning of La Primavera,this symbolic allegory of spring by the Florentine master Sandro Botticelli.
But it's one thing to re-create the painting, quite another to know what it's about.
This is chariot.
This is Iris I believe.
This supports to be spring and…
This one is autumn something like that.
Everybody seems to take a different message from the Primavera. For some, the key to it all is sex.
Zephyer I think is a real symbol of masculine sexuality,you know he's all puffed-up and inflated.
The breasts should be too small, unripe apples, for apart, and that's exactly what Botticelli shows.
I don't know who she is.
That's Venus. God of Love.
Oh Venus. You know I was gonna say Venus .
For others, it's not so much high culture as horticulture.
The garden itself is portrayed with extraordinary care and beauty. The flowers are literally portraits.
Some find the painting disturbing.
It's like looking into a kind of crystal ball. Everything was very beautiful within it, but there's no way for the tiny fairytale characters to ever escape.
While others again have simply fallen in love with it.
There's a magic to it, a kind of mystery to it. It seems eternal.
It's a drop-dead beautiful picture. It's wonderful. He couldn't have done it better.
I don't know. I just like it. I think it's very pretty.在加州，群众聚集观赏世界上最美丽画作的鲜活呈现，同时聆听简要的历史解说。
数世纪以来，艺术家为了“春”的意义僵持不下，还是1400年代末期，由佛罗伦斯大师波提切利的春之预言。
但呈现一幅画作是一回事，了解其意义事另一回事。
这是一辆战车。
这应该是爱神吧。
这应该是春神和……
这个应该是代表秋天吧。
似乎人人对“春”这幅画的解读都不同，有些人认为这幅画的关键就是性爱。
我认为西风代表了阳刚的男性魅力，因为他虎背熊腰，肌肉纠结。
胸部应该像娇小未成熟的苹果，而且相隔甚远，波提切利正是这样呈现的。
我不知道她是谁。
那是爱之女神维纳斯。
我差点就说是维纳斯了。
这幅画的重点不是精致艺术，而是农业。
作者以惊喜的笔触描绘画中的花园，每一朵花都像是一个肖像。
有些人觉得这幅画令人不安。
我们仿照凝视着一颗水晶球，水晶球中的一景一物美不胜收，但是受困其中的神话人物永远无法脱身。
但也有些人对这幅画拥有莫名的爱恋。
它有一股神秘的魔力，经久不衰，
这是一幅绝美的画作，是他们的登峰造极之作。
我也说不上来，我就是喜欢，它很漂亮。
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