【旷世杰作的秘密】桑德罗·波提切利《春》38
1477年他以诗人波利蒂安歌颂爱神维纳斯的长诗为主题，为美第奇别墅所画《春》。这幅画已经和《维纳斯的诞生》一起，成为波提切利一生中最著名的两幅画作。在这幅画中，波提切利运用自己的想像力对古代神话故事重新演绎，人物线条流畅，色彩明亮灿烂，却又在充满着欢乐详和的气氛中，带有一丝忧愁。HITNS:
Primavera
Mona Lisa
David
The Scream
Flora
Ufizi
Renasissance
11“处有连词符
全文听写，英式拼法
http://t1.g.hjfile.cn/listen/201304/201304210839086126508.mp3The Primavera's complexity protects it against the kind of spoofing that the Mona Lisa, the David, or The Scream have undergone. But in a piecemeal way, it has suffered similar attacks - a divide-and-conquer process from which Flora has emerged as the Primavera poster-child.
The expression on Flora's face is quite unique. It's strange. It's penetrating and suggestive. What is the message that Flora is trying to convey to us? She's drilling us with her eyes.
Women aren't supposed to look out boldly from a picture. They're supposed to look down. And she strides forward with much more composure than the other figures. And she acts as the figure who draws us into the picture itself.
Flora herself fascinated me over the years. I had as a prised possession a close-up of Flora's face on my wall from the Ufizi for decades. I studied it and studied it and tried to decipher what it was that was strange about this face. Finally I realised that it's a fusion of two different personalities, on the one hand a refined and aristocratic woman of the Renasissance, on the other a debased and prostituted character, perhaps androgynous, or even transvestite.
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