【旷世杰作的秘密】桑德罗·波提切利《春》22
1477年他以诗人波利蒂安歌颂爱神维纳斯的长诗为主题,为美第奇别墅所画《春》。这幅画已经和《维纳斯的诞生》一起,成为波提切利一生中最著名的两幅画作。在这幅画中,波提切利运用自己的想像力对古代神话故事重新演绎,人物线条流畅,色彩明亮灿烂,却又在充满着欢乐详和的气氛中,带有一丝忧愁。HITNS:
The Primavera
Plato
Lorenzo
Magnificent
Platonic
Botticelli
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http://t1.g.hjfile.cn/listen/201304/201304031057295357264.mp3While it's tempting to concentrate, on the attractive physicality of the Primavera, scholars have found that brain-work is involved too. The attempt to find a key linking all of the figures in the painting has led some experts away from matters of the heart to the concerns of the mind, and in particular, to the philosophy of Plato. We know that Lorenzo the Magnificent would bring together the best minds of his day to talk about poetry, politics and philosophy, particularly the works of Plato, which were newly translated. Some argue that aspects of Platonic debate are made visual in The Primavera.
I don't think that we should see Botticelli as someone who put on a toga and went to the great intellectual forum and could exchange in that way, because he didn't even have the languages, but he knew these things were important to work with, and I think he was genuinely interested in them, and was able to understand what they were about on a certain level, and how to give them pictorial form.
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