《裸色告白》
朱丽叶·比诺什扮演的调查记者撰写援交少女专题时，自己也受到影响，开始审视自己的生活。
HINTS:
Elles
Juliette Binoche
Elle
Catherine Deneuve
Kieslowski
Three Colors: Blue
Oscar
BAFTA
Silver Bear
Best Actress
Cannes
Certified Copy
Abbas Kiarostami
主持：iamkaren
校对：z_i_y_u_n
翻译：lsy34
注解：lsy34
答疑：阿焰http://t1.g.hjfile.cn/listen/201204/201204270945109547410.mp3Now a very French film called simply Elles, since you can't hear the "s" - that's a third person plural - about young students forced by economic circumstances to prostitution. Juliette Binoche plays an investigative journalist for the magazine Elle - that's singular, working on a feature about this apparently dismal development. In the process, however, she's forced to reassess her own situation as bourgeoise wife and mother, and indeed, her own sexuality. This isn't as radical an idea as it might first appear. Didn't Catherine Deneuve and other 60s' housewives discover some parallels between capitalist conformity and the oldest profession? What Elles has, however, is far more explicit sexuality and if it lacks conviction as a story, it doesn't want for commitment on the part of Binoche who gives the performance so frank that it almost hurts. That quality was apparent in Kieslowski's Three Colors: Blue nearly 20 years ago. It brought her an Oscar, BAFTA and Silver Bear for the English Patient in 1997. And just two years ago, she carried off the Best Actress award at Cannes for her performance in Certified Copy by the Iranian director Abbas Kiarostami.如今，一部名为《援交少女》的法语电影讲述年轻学生们由于经济原因被迫援交。你无法听到”s”音，那是第三人称复数形式。朱丽叶•比诺什饰演一位在杂志《她》（这是单数形式）工作的调查记者，她在研究这一明显在往阴暗的方面发展的现象。然而，在这一过程中，她不由得反思自己作为中产阶级妻子和母亲的角色，甚至是自己在性方面的问题。这个问题不像刚开始那样激进。难道朱丽叶•比诺什和其它60岁的家庭主妇都没有察觉出资本主义的一致性和最古老的职业之间有一致性吗？然而，其余的远远超出了明显的与性相关的问题，如果它缺少作为报道的真实性，那么比诺什也会承认这一点。比诺什他的表演非常真实，导致有时会让人受伤。这一特质在将近20年前基耶斯洛夫斯基的红白蓝三部曲中的《蓝》表现得非常明显。她凭借这部电影获得了奥斯卡，英国奥斯卡奖并在1997年凭借《英国病人》获得了柏林银熊奖。就在两年前，她凭借在伊朗导演阿巴斯•基亚罗斯塔米的电影《合法副本》中的出色表演，摘下了戛纳电影节最佳女主角的称号。
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